Echoes from the Hills

Dr. Rabi Narayan Dash

Introduction

Percussion instruments

Blowing instruments

String instruments

Odd Type

 

The tribal communities (listed as 62) living in Orissa today, still maintain their identities in socio-cultural sphere. The ecological degradation of their homeland, inflicting economic hardship, food scarcity and ill health could not suppress their care free spirit. Still one can find, beating of drums, sonorous flute and vocal songs along with dance, in the tribal villages. The village belles when go in a group for forest collection, sing in chorus and burst into wild laughter to relieve themselves of anxieties and tiredness. Music and dances are part of their life from time immemorial.

The tribal people developed their dances as imitative representation of Nature. The music has also originated from the similar source. Natural environment has not spoiled their auditory senses like the urban people. Rhythmic murmur of springs or water falls, chirps of birds, rustling sound of dry leaves etc. helped them in composing their own tune. Man always tried to produce melodious sound as expression mood. The primary method is to use one's own vocal chords and subsequent methods are from artificially devised equipment. Technological capacity of people has allowed them to find suitable natural objects from the surroundings and devise desirable sound producing artifacts. Even thin flex of stone when hit in a controlled way could produce soft resonance. The wind blowing through dried hollow bamboo in bush creates sweet melodious sound.

Striking two hollow bamboo sticks also produce soft sound. Primitive people to design instruments for producing desirable note used all such objects of nature. Through centuries of culture with these equipment, the forest dwelling people could stabilize the notes and learn how to play the instruments to produce sonorous music synchronizing with vocal tunes and dance rhythms. In the process, the instruments have considerably been modified. The use of metal has changed many indigenous instruments. Non tribal contribution in this regard is important. Also specialist groups from other communities of the locality play musical instruments in tribal tunes.

Instruments

The tribal music has its own distinctive character. The tribal music can always be distinguished from the non-tribal folk music. The instruments the tribal people use are devised, by the specialists from amongst them, from locally available objects like animal hide, bamboo, wood, animal gut etc. The instruments they use fall into the categories viz., percussion instruments, blowing instruments, string instruments.

The percussion instruments are double membrane drum of different sizes (dhol, dholki, madal), kettledrum with earthen hollow base covered with hide (of large as well as of very small size), single membrane drum (Changu).

 

 
The blowing instruments are flute and trumpet (singa). The flute is made of a special type of hollow bamboo with one end closed. There are some holes on the body of the tube at specific distances to control the blow of wind from the player’s mouth. Various tunes can be played with the flute. One finds the use of the flutes of different sizes. The trumpet (singa) is made of buffalo or bison horn. The call of the elephant is imitated by the sound produced by the trumpet.

The string instruments are very limited in type. Usually prototypes of modern guitar and violins are used.
Besides these broad types of musical instruments, there are some odd types like reeds wound as broomstick or split bamboo used occasionally to supplement the main musical instruments.

The male members of the tribal communities mostly play the instruments. The tunes played by them are traditionally learnt by the present players from their predecessors. So without any codified notation, the tune and the rhythm running in the community through generations. It is susceptible to external influence in each generation but the basic character remains unchanged particularly in the interior areas.

The tribes of Orissa though physically represent the Austroloid type, linguistically belong to different families- Dravidian and Mundari. We do not have any clue as to whether the linguistic differentiation has caused any difference in musical tunes. But the scholars are pursuing their research to discern the influence of the primitive tunes in the modern music. Dr. Sunil K. Satpathy , a noted scholar , has tried to find the link between the musical notes of Juang tribe (Orissa) with Odishi music.

Photographs : Men Playing Flute: Hrudaya Panigrahi

Illustrations : Supriya Ghoshmaulik

References :

ISSN: 2249 3433

About

The word tribe is variously used in literature to denote a community on the basis of homogeneity. Originally many autochthonous communities who were identified by similar culture, social organisation and governance, living away from the main stream life of a country, were mentioned as tribe by their colonial rulers and Western scholars. Many such communities have moved towards the mainstream lifestyle so that they may no longer be identified as secluded, underdeveloped people with queer customs. This has happened to all areas of the world where tribal communities live. Still, many tribal communities lead their lives in very primitive ways devoid of the techno-economic glamour of contemporary civilization. These communities are labeled as "Primitive Tribal Groups". Indian Government has identified such tribal groups to give special attention to their development, whereas in the Indian Constitution all the tribal groups are recognized as "scheduled tribes".

 

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Editor
Professor S.K.Ghoshmaulik
Retd Professor of Anthropology, Utkal University is the Editor of this e-zine

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Retd. Professor of Mathematics, Utkal University
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Dr. Pramod Kumar Parida
Retd. Reader in Odia language and literature

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Soumya Dev
Masters in Computer Applications

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